We might think that knowing ourselves is an ego-centered thing, but by looking at ourselves, we begin to dissolve the walls that separate us from others.
The Ultimate Self-Help
Each Friday, we share three topical longreads in our Weekend Reader newsletter. This week, our editor-in-chief, Melvin McLeod, shares why Buddhism is the ultimate self-help
Give and You Shall Receive
Reginald A. Ray argues that far from being a “lesser” practice, giving is central to all schools of Buddhism and essential to the relinquishment of ego.
What do “2001,” “Dear White People,” and Buddhism have in common?
This month, Stanley Kubrick’s sci-fi masterpiece, “2001: A Space Odyssey,” turns 50. “Dear White People” creator Justin Simien talked to Lion’s Roar about the film’s influence.
Does my transgender identity conflict with Buddhism’s teachings on no-self?
I was born male, but I’ve come to the conclusion that I’m actually a transgender woman. As a Buddhist, I feel conflicted by the teachings on no-self.
The Problem of Personality
We believe deeply in ourselves as personalities, says Ajahn Sumedho, each committed to the reality of our own personal history and distinctive traits.
How To Live a Genuine Life
"It's possible to learn to relate to the clouds of conditioning as just clouds, and see them more and more within the context of the sky." Photo by Gregory Palmer.Author and Zen teacher Ezra Bayda say our Buddhist practice involves cultivating awareness of our addictions to comfort, self-judgement, thoughts, identities, and fears.
Neuroscience and Buddhism converging on the inconstant self
An increasing number of scientific researchers are referencing and drawing on Buddhism in their studies, especially in the field of neuroscience.
Nothing Special: The Joy of Being Ordinary
Geri Larkin tells us that when we honestly dare to be ordinary, the wisdom of the universe opens up for us. Joy happens. We feel free.
“All improv is meditation”: the “Buddhist theater” of David Razowsky
“All improv is meditation”: the “Buddhist theater” of David Razowsky, the erstwhile artistic director of Second City’s L.A. training center.