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The Real Stuff: Buddhism’s Influence on Jazz

by Lion's Roar Staff| December 7, 2020

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Buddhism’s impact on jazz music has been immense. As part of our overview of Buddhism’s influence on modern music, we provide a survey of the artists who were inspired by the dharma to break down barriers and seek out new musical vistas.

Wayne Shorter. Photo by Thomas Dorn / Verve Records.

Concurrent with Buddhism’s emerging influence on classical composers, jazz artists were finding that the focus created by a meditation practice were opening new creative doors. Pianist Herbie Hancock, reed players Wayne Shorter and Bennie Maupin, and bassist Buster Williams are all practitioners of Nichiren Buddhism; singer Tamm E. Hunt is a Mahayana Buddhist; Joseph Jarman of the famed Art Ensemble of Chicago was a Jodo Shinshu priest.

Without meditation, one of the genre’s towering achievements might never have been committed to tape. As the story goes, John Coltrane was meditating one early morning when the form and motif of his album, A Love Supreme, arose fully formed in his mind. Similarly, jazz legend Wayne Shorter produced a late-career three-disc masterwork, Emanon, reflecting his practice of Nichiren Buddhism.

Jazz drummer Jerry Granelli says: “I didn’t come to the dharma looking to be a better musician. I’d accomplished most of what I’d hoped for. But I didn’t know how to be a human.” At 80, the jazz drummer and music-and-meditation teacher is as vital and inventive as any artist could hope to be. (For a deeper dive into Granelli’s work – what he calls his “rhythm painting,” check out his playlist: This Is Jerry Granelli 2020.)

As a jazz musician, he made a name for himself young. That’s the 22-year-old Granelli drumming on Vince Guaraldi’s beloved “Linus and Lucy,” the Peanuts’ theme song. He played with the likes of Carmen McRae, Bill Evans, and Sly Stone, but by the time he met his teacher, Chögyam Trungpa, in the early 1970s, he was at a crossroads: tired, and perhaps even “done with music forever.” But Trungpa Rinpoche told him, “no, no, that’s where your real stuff will come up.”

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Putting that openness and focus to work, these pioneers in jazz helped set the stage for whole new generations of genre-busting, Buddhist-inspired music.

Continue Reading our Fan’s Guide to Modern Buddhist Music

Discover more about the rich intersection between Buddhism and music with the following selection of articles:

The Lion's Roar Podcast: Buddhist Indie Metal with Jessica Pimentel and “In This Moment” with Born I Music

March 8, 2021

This special episode of The Lion's Roar Podcast features music from Buddhist artists Jessica Pimentel and Born I Music.

 

"In This Moment" — Buddhist inspiration and aspiration meet in new Born I Music song/video

February 19, 2021

Born's new song is a shot of grounding inspiration right when we all could use it.

 

Tina Turner’s Journey into Faith

January 10, 2021

A review of Turner’s autobiography, "Happiness Becomes You: A Guide to Changing Your Life for Good."

 

Musical Meditations

December 17, 2020

Lion's Roar magazine's associate art director Andrew Glencross looks at three bodhisattvas of the music world: Éliane Radigue, John Coltrane, and Philip Glass.

 

What Is the Sound of Buddhist Music Today?

December 14, 2020

The dharma speaks through music—it always has, it does today. From jazz to metal to rap to emergent hybrid forms, Buddhism’s influence on the musical realm can be discovered at almost every turn.

 
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Lion's Roar Staff

About Lion's Roar Staff

Lion's Roar is the website of Lion's Roar magazine (formerly the Shambhala Sun) and Buddhadharma: The Practitioner's Quarterly, with exclusive Buddhist news, teachings, art, and commentary. Sign up for the Lion's Roar weekly newsletter and follow Lion's Roar on Facebook, Twitter, Instagram, and Pinterest.

Topics: Music

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